Domezrab Chap (Part 6)

Alireza Javaheri
June 2007

Observing of specifications and possibilities of Domezrab chap during performing:

one of the most important specifications in performing Domezrab Chap is being free of both hands after performing this technique, so as correct performing we can get used of right hand too and left hand and more interesting point is that we will be able, after Domezrab Chap fast get used of Domezrab and double note.
If during performing Sarmezrab such reliability is not for performing usually after performing double note grace Sarmezrab, right hand is more prepared for next bit.
Pay attention to some examples of this.

1-A sample of performing Quatrain in Dashti (Parviz Meshkatian)

Audio file 54

2- A sample of Shur song in Mahi Barye Sale No (Fish for New Year) taps (Ardavan Kamkar)

Audio file 55

3- Improvising playing depend on Gushe Gerayli (Alireza Javaheri)
Audio file 56


4- Improvising playing depend on Khorasani folk melodic
(Alireza Javaheri)
Audio file 57


5- Performing a part of "Raghs bad"(Wind Dance) from Ardavan Kamkar.

Audio file 59
In this way we will give another example of row of Santour playing of Abolhassan Saba which we are able to get used of Domezrab Chap possibilities. So pay attention to a part of note and performing of Pishzanguleh piece in row, number 1 in Dastgah-e Segah. For more comparing, this piece is performed in two ways, simple and Domezrab Chap.

Audio file 60 simple performing of Pishzanguleh (Segah)

Audio file 61 Performing of Pishzanguleh with Domezrab Chap



After these examples pay attention to a piece composed by "Mohammad Reza Lotfi" and see how Domezrab Chap can complete this performing.

"Chaharmezrab_e Segah" composed by Mohmmad Reza Lotfi.
Adjusting for Santour, Alireza Javahaeri
Audio file 62